John the Pupil

John the Pupil

David Flusfeder

David Flusfeder

The extraordinary new novel from David Flusfeder chronicles a pilgrimage to Rome made by three young men with a secret burden. But they will meet with temptation along the way... 'John the Pupil' is a medieval road movie, Umberto Eco seen through the eyes of Quentin Tarrantino, recounting the journey taken from Oxford to Viterbo in 1267 by John and his two companions, at the behest of the friar and magus Roger Bacon, carrying a secret burden to His Holiness Clement IV. As well as having to fight off ambushes from thieves hungry for the thing of power they are carrying, the holy trio are tried and tempted by all sorts of sins: ambition, pride, lust – and by the sheer hell and heaven of medieval life. Erudite and earthy, horrifying, comic, humane, David Flusfeder's extraordinary novel reveals to the reader a world very different and all too like the one we live in now.
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A Film by Spencer Ludwig

A Film by Spencer Ludwig

David Flusfeder

David Flusfeder

A hilarious and heartbreaking father-son road movie of a novel.Spencer Ludwig, idealist and filmmaker, is making one of his regular duty visits from London to New York City to tend to his declining but still fearsome father. Driving back from one of their doctors' appointments, Spencer decides not to take the turn to his father--™s apartment: instead, they hit the road. Ahead of them will be an emotional ride taking in police and prostitutes, film festivals and gambling in Atlantic City, as father and son try to make sense of each other--™s lives and hearts, and their own. To reach, Spencer hopes, a suitably cinematic conclusion.
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The Pagan House

The Pagan House

David Flusfeder

David Flusfeder

The much-anticipated new novel from the acclaimed author of ‘The Gift ‘ – a blend of detective novel, historical fiction and the painful coming-of-age of a confused young boy. ‘Edgar was neither hard-bitten nor hard-boiled. He hadn’t seen too much – he’d hardly seen anything at all – and he was bursting, overflowing, with inaccessible juvenile potency. No one would suspect him of a dangerous agenda. But he could not drive a car. And he still needed permission to stay out past suppertime.’ Edgar Pagan, nearly thirteen, detests his English mother’s new boyfriend, so when she takes her son away from him across the Atlantic to spend time with his American father, it is a relief and a new adventure for him. He is an unlikely detective, Edgar, but that is what he becomes at the Pagan house, home to his grandmother Fay, and again some years later when he sets down on paper the Pagan past, in particular the peculiar circumstances of his father’s ancestors in the nineteenth century, ‘the...
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